
by Albert Camus (1913-1966)
If the descent is thus sometimes performed in sorrow, it can also take place in joy. This word is not too
much. Again I fancy Sisyphus returning toward his rock, and the sorrow was in the beginning. When the
images of earth cling too tightly to memory, when the call of happiness becomes too insistent, it happens that
melancholy rises in man's heart: this is the rock's victory, this is the rock itself. The boundless grief is too heavy
to bear. These are our nights of Gethsemane. But crushing truths perish from being acknowledged. Thus,
Oedipus at the outset obeys fate without knowing it. But from the moment he knows, his tragedy begins. Yet at
the same moment, blind and desperate, he realizes that the only bond linking him to the world is the cool hand
of a girl. Then a tremendous remark rings out: "Despite so many ordeals, my advanced age and the nobility of
my soul make me conclude that all is well." Sophocles' Oedipus, like Dostoevsky's Kirilov, thus gives the
recipe for the absurd victory. Ancient wisdom confirms modern heroism.
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